Don't Stop Believing is a British television talent show that aired on Channel 5 in summer 2010. It was inspired by the musical comedy-drama Glee, which airs in the United States on the Fox network. The series featured live shows in which musical performance groups competed against each other, with viewers voting on the winner. Solo singers were also sought to join a group to represent the United Kingdom on the American glee club circuit. The show was hosted by Emma Bunton, and judged by Anastacia, Duncan James, Tamzin Outhwaite and Charles "Chucky" Klapow. The programme was shown in simulcast on Irish TV channel 3e and repeated a week later on parent channel TV3 Ireland. The show was not renewed for a second series due to low ratings.

In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.

This whimsical look at rough-and-tumble American politics examines the influence of money, religion and even ancient Rome on presidential campaigns.

Ever since getting off a prestigious cable television series, Frank Cooper has been coasting through life distracting himself with women, booze and blow, while auditioning to play stereotypical gang members and drug dealers. But the minute he meets Mali Waters, a sports agent living for the present, his whole world changes.

The paths of a couple who'd dated for more than a decade diverge when Juan decides he wants to raise a family and Elizabeth focuses on her career.

Nagoya, 1983: Legendary filmmaker Koji WAKAMATSU decides to open a cinema – not least to show his own films. The Cinema Skhole quickly turns into a hot spot for local cinephiles. Junichi INOUE tells an empathetic and almost true story about motion picture enthusiasts in this loose sequel to Kazuya SHIRAISHI’s DARE TO STOP US.

The deep sea is the last unknown territory on Earth. Here, biologists struggle to study the enigmatic wildlife that looks like something from another planet. But time is running out as deepsea mining threatens the fragile ecosystems. 　　The depths of the world’s oceans resemble outer space. The alien and strange life forms down in the darkness send the imagination soaring. We know less about life in the dark and impassable depths than any other life form on the planet. Down here, intrepid biologists work to study the unknown creatures and ecosystems that thrive in isolation. 　　But the days when the deep sea was the last wilderness on earth may be coming to an end. As biologists work to map life in the deep, mining companies are preparing to extract the oceans’ precious resources. For the biologists, the battle against the elements suddenly becomes a battle against time. 　　‘How Deep is Your Love’ is both an adventurous journey into an unknown and breathtaking realm, and a call to respect nature – even that part of it that we rarely have access to. It’s also a thought-provoking reminder that we actually live on a planet where humans are not the center of everything.

A look at the motion picture production code and its effects on Hollywood.

James is useless with women, but his luck changes under the tutelage of pick-up artist, Ampersand. As James learns the art of seduction he begins to wonder about Ampersand’s intentions and questions what would truly make him happy in life.

Three sto­ries that explore love, com­mit­ment, and loy­al­ty between cou­ples and friends. "Two for Din­ner" where a mar­ried cou­ple tem­porar­i­ly liv­ing in two dif­fer­ent loca­tions are more sep­a­rat­ed than they think. "Sail­ing Les­son" about a long-mar­ried cou­ple who spend a day on a sail­boat rekin­dling their romance… and unex­pect­ed events arise. "Late Lunch" where a young woman who recent­ly lost her moth­er gath­ers togeth­er a group of her moth­er’s friends to share mem­o­ries, with sur­pris­ing rev­e­la­tions.